Gypsum is delighted to present Latitude, a preliminary stage of an epic fifteen-part art project by Shady Elnoshokaty entitled Colony. Latitude consists of a sculpture, drawings, diagrams and an animated video. Like his previous multi-faceted projects, Stammer (2007-2010) and The Tree of My Grandmother (2001-2005), Colony takes an intimate personal experience as an entry point to explore the relationship between minds, physical existence and the imagination.

Colony is a biological term that refers to a mass of cells that spreads through multiplication, like a skin discoloration for example. The term has also been used to describe communities of rats, ants and bees, whose organization and hierarchical structures are similar to our understanding of colonization in the political sense. The show is built on a basic principle of grand colonial projects in their desire to divide and conquer the world, often based on power classifications related to ethnicity and skin color.

Latitude begins from exploring the form of a skin discoloration that marks the artist’s hand. Elnoshokaty conducted an extensive online research to locate fifteen existing towns, cities and islands that match the contours of his birthmark. He began collecting and ordering primary information about these sites, their history, language, arts and culture, their topography and geography. Latitude acts as a manifesto for an imaginary colonial project that borrows its methodology from archiving and topographical research along with its related visual language of illustrations, models and explanatory films.

Latitude brings together a selection of more that 60 elaborate drawings chosen from hundreds of drawings that the artist has produced since 2012 when he started conceptualizing the project. Structured forms are layered upon amorphous shapes, scribbles and dotted lines. Many of these compositions are rendered in colored pencil, ballpoint and stylo pen; their loose forms anchored by the grid of graph and squared paper that Elnoshokaty regularly uses. Like the rest of the project, the drawings – which operate as diagram, notes, studies and observations – chart an impossible territory.

Date: October 5, 2015 – November 25, 2015
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