Cesare Pietroiusti’s art practice focuses on problematic and paradoxical situations that are hidden in common relationships and in ordinary acts – thoughts that come to mind without a reason, small worries, quasi-obsessions that are usually considered too insignificant to become a matter of discussion, or of self-representation.
In 1994 Pietroiusti was available to do ‘useful’ things for anyone of the audience who would make a request: he walked dogs, gave shots, cleaned out cellars, and more. In 1997 he published Non Functional Thoughts (ed. Morra, Napoli), a small book containing approximately one hundred useless, parasite or incongruous ideas to be realised as art projects by anyone. Some of these ideas have been executed by artists and curators, such as for the exhibition Democracy! (London, 2000).
In the last few years Pietroiusti mostly concentrated on the topic of the exchange, and on the paradoxes that arise in the folds of economic systems and rules. Starting from 2004 he irreversibly transformed banknotes given to him by other people; distributed thousands of drawings (always unique pieces, individually numbered and signed) for free; sold stories; swallowed banknotes at the end of an auction and subsequently given them back to the successful bidder after their defecation; opened a shop where the goods for sale are banknotes and the currency used to purchase them is the customer’s gaze; set up shows where the artworks are for sale not in exchange of money, but of the best visitors’ ideas, comments, or proposals.
– Born in Rome in 1955, lives in Rome.
– Degree in Medicine with an essay on Psychiatry (1979).
– Co-founder of the Artist-run space “Jartrakor” in Rome and of the
magazine “Rivista di Psicologia dell’Arte” (1979-1984).
– One of the coordinators of the “Oreste” projects (1997-2001).
– Co-founder of “Nomads & Residents”, New York, (2000).
– Teacher at the Laboratorio di Arti Visive, IUAV University, Venice,
(2004-) and MFA Faculty at the Arts Institute of Boston (2010-).
Recent shows include:
– Paradoxycal Economies, Ikon Gallery, Birmingham (2007)
– Performa, Sculpture Center, New York (2007)
– Regali e regole, MAMbo, Bologna (2008)
– Museum in the Streets, Moderna Galerjia, Ljubljana (2008)
– Art, Price and Value, CCCS La Strozzina, Firenze (2008)
– 28th Biennale of Graphic Arts, Ljubljana (2009)
– Galleria Franco Soffiantino, Torino (2009)
– Artworks that Ideas Can Buy, Wilkinson Gallery, London (2009)
– Avicendamientos Discretos, EACC Castellon (2010)
– Trasparenze, MADRE, Napoli (2010)
– Spazio, MAXXI, Roma (2010)
– Impossible Communities, MMOMA, Moscow (2011)
– Declining Democracy, CCCS Firenze (2011)
– Production and Free Distribution of Drawings, Isabella Stewart Gardner Museum, Boston (2012)
فرصة للراغبين/ات في المشاركة في تنظيم برنامج العروض المسرحيةبيروت، لبنان
Call for Ushers for Sharjah Biennial 13 | Act IIBeirut, LebanonImage: Christodoulos Panayiotou, The Parting Discourse, Performance at Teatro Goldoni, Venice, 2015, Photo by Aurelien Mole/The Cyprus Pavilion.