Rabih Mroué lives in Beirut. He is an actor, director and playwright, and is Contributing Editor of the Lebanese quarterly Kalamon and of TDR (New York), and one of the founders and board members of Beirut Art Center (BAC). His works include: The Pixelated Revolution (2012); Photo-Romance (2009); The Inhabitants of Images (2008); How Nancy Wished That Everything Was an April Fool’s Joke (2007); Make Me Stop Smoking (2006); Who’s Afraid of Representation (2005); Looking for a Missing Employee (2003); Biokhraphia (2002); Three Posters (2000); and Extension 19 (1998) among others.